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The company’s Profit After Tax (PAT) rose to 64.45 crore Rupees, compared with 36.42 crore Rupees in the corresponding quarter of the previous financial year. The company also reported strong growth in total income and EBITDA during the quarter.

D.P. Abhushan Q1 FY27 Financial Highlights

Managing Director’s Statement

Commenting on the quarterly performance, Mr. Santosh Kataria, Managing Director, said:

“Despite volatility in gold and silver prices and temporary consumer hesitation following recent policy announcements, demand—particularly for wedding jewellery—remained resilient and business momentum gradually normalised. Our initiatives, including ‘DP Swarn Plus’ and the strong response to our gold exchange programme, enabled us to sustain growth while encouraging customers to unlock the value of their existing jewellery.

“Supported by disciplined inventory management, operational efficiency and a strong understanding of customer preferences, we were able to proactively mitigate margin pressures. We remain confident in our long-term growth trajectory, underpinned by the deep trust and loyalty our brand continues to enjoy across its target markets,” Mr Kataria added.

Q1 FY27 Key Business Updates

• The company finalized locations for upcoming showrooms in Jabalpur (Madhya Pradesh) and Dahod (Gujarat). Store development activities are underway, and operations are expected to commence shortly.
• The Jabalpur showroom, with an approximate retail area of 3,750 square feet, will be the company’s first FOCO (Franchise Owned, Company Operated) store. It will serve as a pilot project for this expansion model under the D.P. Jewellers brand.
• The Dahod showroom, spanning approximately 3,200 square feet of retail area, will be the company’s first showroom in Gujarat. The showroom will be owned and operated by the company and is expected to establish its retail presence in the state, enhance customer accessibility, and strengthen brand recognition among customers in Gujarat. It will offer the company’s complete range of jewellery products while maintaining its established quality standards and customer service practices.
• The company continues to follow a disciplined approach towards gold procurement and inventory management, leveraging Gold Metal Loans (GMLs) and hedging mechanisms to mitigate gold price volatility while supporting margin stability and working capital efficiency.

About D.P. Abhushan Limited

D.P. Abhushan Limited has been associated with trust and quality in the jewellery industry since 1940 under the “D.P. Jewellers” brand. Listed in 2017, the company carries forward an 86-year legacy in Central India and is currently managed by the fourth generation of the founding family.

Founded by Late Shri Pannalalji Kataria and his sons, the company has expanded its retail presence through branches in Ratlam, Indore, Udaipur, Bhopal, Ujjain, Bhilwara, Kota, and Banswara.

The company offers an extensive portfolio of gold, silver, diamond, and platinum jewellery, including collections for Wedding, Valentine, Traditional, Flower, Mewar, Dohra, Lightweight, and Trendy Jewellery, along with chains, armlets, rings, pendants, and necklaces.

FAQs

1. What were D.P. Abhushan’s Q1 FY27 financial results?

For the quarter ended June 30, 2026, D.P. Abhushan reported total income of 853.63 crore Rupees, EBITDA of 93.99 crore Rupees, and Profit After Tax (PAT) of 64.45 crore Rupees, reflecting strong year-on-year growth across all key financial metrics.

2. How much did D.P. Abhushan’s net profit grow in Q1 FY27?

The company’s PAT increased by 77% year-on-year, rising from 36.42 crore Rupees in Q1 FY26 to 64.45 crore Rupees in Q1 FY27, while the PAT margin improved from 6.7% to 7.6%.

3. What expansion plans did D.P. Abhushan announce during Q1 FY27?

The company finalized locations for new showrooms in Jabalpur, Madhya Pradesh, and Dahod, Gujarat. The Jabalpur outlet will be its first FOCO (Franchise Owned, Company Operated) store, while the Dahod showroom will mark the company’s entry into the Gujarat retail market.

4. What did Managing Director Santosh Kataria say about the company’s performance?

Mr. Santosh Kataria stated that despite volatility in gold and silver prices and temporary consumer hesitation following recent policy announcements, demand—particularly for wedding jewellery—remained resilient. He also highlighted the contribution of DP Swarn Plus, the gold exchange programme, disciplined inventory management, operational efficiency, and customer trust in supporting the company’s growth.

5. How does D.P. Abhushan manage gold price volatility?

According to the company, it follows a disciplined approach to gold procurement and inventory management, while leveraging Gold Metal Loans (GMLs) and hedging mechanisms to mitigate gold price volatility, support margin stability, and improve working capital efficiency.

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Powered by GIA and supported by the World Gold Council, the awards were held in the presence of global jewelry icons, including Lucia Silvestri, Creative Director at Bvlgari, and Amedeo Scognamiglio, Founder of RFMAS Jewellery Group.

Quantum Couture: Re-engineering Indian Heritage

The theme for 2026, “Quantum Couture: Re-engineering Beauty and Cultural Codes,” challenged designers to reinterpret traditional Indian crafts for the modern era. The competition focused on three distinct creative directions:

• Embroidery: Reimagining textiles like lace and brocade into intricate metal frameworks and gemstones.
• Micro-Painting: Celebrating miniature arts like meenakari to create narrative-driven, detailed jewelry pieces.
• Poetic Layers: Exploring multi-dimensional, organic shapes that blend nature and emotion into sculptural forms.

With over 550 entries, the journey culminated in 27 finalists whose designs were brought to life by India’s leading manufacturers.

Winners – Artisan Jewellery Design Awards 2026

Embroidery Category:

• Winner: Surajit Ghosal (Anan Jewels India LLP)
• 1st Runner-Up: Lekshmi Raj Manju (Walking Tree Pvt. Ltd.)
• 2nd Runner-Up: Prajakta Vesvikar (Anan Jewels India LLP)

Micro-Painting Category:

• Winner: Kavitha Rajendran (GRT Jewellers)
• 1st Runner-Up: Elena Pari (Arun Jewels)
• 2nd Runner-Up: Archangel Caszo (Farah Khan Fine Jewellery)

Poetic Layers Category:

• Winner: Namira Shaikh (Farah Khan Fine Jewellery)
• 1st Runner-Up: Nayonika Chatterjee (Walking Tree Ventures)
• 2nd Runner-Up: Abhijit Das (Anan Jewels India LLP)

From Manufacturing Hub to Global Design Destination

Mr. Kirit Bhansali, Chairman of GJEPC, emphasized the industry’s shift: “India has long been recognized as a manufacturing powerhouse, but the next phase of growth lies in becoming a global design destination.”

Lucia Silvestri (Bvlgari) shared her admiration for the talent: “I have always been fascinated by India’s extraordinary heritage. I was particularly struck by the way this heritage is being reinterpreted through a contemporary lens—a beautiful balance between tradition and innovation.”

Global Exposure for Indian Designers

The impact of the Artisan Awards extends beyond the ceremony. The 27 winning pieces will be showcased at major international trade platforms, including:

• JCK Las Vegas (USA)
• Vicenzaoro (Italy)
• IJS Bharat (Mumbai)
• SAJEX (Saudi Arabia)

The Distinguished Jury

The 2026 entries were adjudicated by a world-class panel:

• Lucia Silvestri (Creative Director & Gems Buying Director, Bvlgari)
• Amedeo Scognamiglio (Founder, RFMAS Jewellery Group)
• Dr. Annapurna Garimella (Art Historian & Designer)
• Siddharth Kasliwal (Founder, Gem Palace)
• Milan Chokshi (Founder, Moksh)
• Paola De Luca (Creative Director & Trend Forecaster, The Futurist)

About GJEPC

Established in 1966 by the Ministry of Commerce, Government of India, the Gem & Jewellery Export Promotion Council (GJEPC) is the apex body representing over 10,900 members. Headquartered in Mumbai, GJEPC works to boost India’s jewelry exports and establish the nation as a premier global jewelry hub.

FAQ’s

1. What are the Artisan Jewellery Design Awards 2026?
The Artisan Jewellery Design Awards 2026 is a prestigious design competition organized by GJEPC that recognizes excellence in jewellery design. It promotes innovation by blending traditional Indian craftsmanship with modern global trends.

2. What was the theme for the 2026 awards?
The theme for 2026 was “Quantum Couture: Re-engineering Beauty and Cultural Codes,” which encouraged designers to reinterpret traditional Indian art forms into contemporary jewellery designs.

3. How many participants and finalists were involved in the competition?
The competition received over 550 entries from across India, out of which 27 finalists were selected. Their designs were brought to life by leading jewellery manufacturers.

4. Who were the key personalities present at the event?
The event featured global jewellery leaders such as Lucia Silvestri from Bvlgari and Amedeo Scognamiglio of RFMAS Jewellery Group, along with a distinguished international jury panel.

5. How does this event benefit Indian jewellery designers?
The awards provide international exposure, with winning designs showcased at global platforms like JCK Las Vegas and Vicenzaoro. It helps position India as not just a manufacturing hub but also a global jewellery design destination.

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The exhibition will showcase advanced jewellery machinery, next-generation technologies, and solution-led innovations, positioning JMAIIE as a must-attend event for manufacturers, technology providers, and trade professionals.

Organised by KNC Services, JMAIIE has been curated as a focused B2B exhibition designed to foster meaningful industry connections and drive commercial collaboration. The event is supported by leading industry bodies from the jewellery machinery and allied sectors, further strengthening its role as a catalyst for innovation and business growth within the trade.

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JMAIIE plays a pivotal role in connecting jewellery manufacturers with machinery suppliers and allied service providers, creating a focused ecosystem that drives operational efficiency across the value chain. The exhibition highlights innovations that directly enhance productivity, quality, and scalability—spanning casting, finishing, automation, and software-driven manufacturing solutions.

Beyond being a showcase, JMAIIE functions as a business accelerator for the industry. It offers a platform to discover next-generation machinery and tools, engage directly with decision-makers, factory owners, exporters, and technology specialists, and evaluate solutions through live demonstrations. By enabling side-by-side supplier comparisons and facilitating long-term partnerships, JMAIIE also helps industry participants stay ahead of evolving trends shaping jewellery manufacturing in India and global markets.

Visitor Registration for JMAIIE 2026 has already started

In order to participate in the exhibition, one just needs to download the form, submit the required documents, which includes Business Registration Certificate, GST certificate (for Indian companies), or Tax Registration Certificate (for international companies). For Domestic Companies, they have to use this form. While for International Companies, this form needed to be submitted.

With its strong industry backing, focused positioning, and growing international relevance, JMAIIE 2026 is poised to be a key milestone event for jewellery manufacturing professionals. For those looking to upgrade technology, expand networks, or gain a competitive edge, the exhibition offers a clear reason to be on the show floor.

FAQs

1. What is JMAIIE 2026 and who should attend it?

JMAIIE 2026 is a dedicated B2B exhibition for the global jewellery manufacturing and allied industries. It is ideal for jewellers, bullion dealers, manufacturers, exporters, machinery suppliers, technology providers, and service partners looking to explore advanced manufacturing solutions and industry trends.

2. When and where will JMAIIE 2026 be held?

JMAIIE 2026 will take place from February 12 to 15, 2026, in Mumbai, India, bringing the entire jewellery machinery ecosystem under one roof.

3. What kind of technologies and solutions will be showcased at JMAIIE 2026?

The exhibition will feature advanced jewellery machinery, next-generation technologies, and solution-led innovations across casting, finishing, automation, and software-driven manufacturing, aimed at improving productivity, quality, and scalability.

4. How does JMAIIE 2026 benefit exhibitors and visitors from a business perspective?

JMAIIE functions as a business accelerator by enabling live evaluation of solutions, direct interaction with decision-makers and factory owners, supplier comparisons, and the formation of long-term commercial partnerships within the jewellery manufacturing value chain.

5. How can companies and visitors register or participate in JMAIIE 2026

Visitor registration for JMAIIE 2026 has already started, with a single-event pass priced at ₹1,000. Companies wishing to participate can do so by downloading and submitting the required forms along with relevant documents such as business registration certificates, GST certificates for Indian companies, or tax registration certificates for international participants.

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Why is the India Silver Conference important?

Silver is often discussed alongside other precious metals, where its role is typically confined to a single session focused on broad demand and supply dynamics. In a world seeking sustainable and health-oriented solutions, this approach no longer does justice to silver’s expanding role.

Innovations in silver end-use applications are already plentiful. What has been missing is a mechanism that connects innovators with investors, collaborators, and industry stakeholders—a gap the India Silver Conference seeks to fill.

As  a yearly event, the India Silver Conference (ISC) aims to provide a platform where:-

Where industrial users, producers, and bullion suppliers could gather under one roof

Where one could showcase innovation and R&D in new silver-based applications

A place where a direct interaction could be held between innovators and investors.

Along with everything, ISC also aims to develop a vibrant ecosystem for innovation, investment, and value-added products and services based on silver.

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What is going to happen at the India Silver Conference this year?

Some of the sessions that will be conducted in this year’s conference include: Silver Jewellery & Silverware, Recycling Silver Jewellery Scrap, Silver Investment Demand, Silver Industrial Application, and Interaction with Research Institutions

When and where will the India Silver Conference be held this year?

The India Silver Conference 2026 will be a three-day residential conference held from April 23–25, 2026, at the Hyatt Regency Dehradun Resort and Spa.

The conference would offer two types of conference pass- Residential and Non-Residential delegate options. Residential would be for the delegates who would like to stay in the Hotel Hyatt itself, where the conference is taking place.

The Non-Residential Delegate would just like to attend the conference, and not stay in the Hotel Hyatt.

Registration for the conference is open now.

The India Silver Conference is more than an event—it is a strategic platform to amplify silver’s role in industry, households, and investment portfolios. By bringing together stakeholders across the value chain, fostering innovation, and strengthening investor confidence, ISC aims to redefine how silver is perceived and utilized in India and beyond.

As demand grows, technologies evolve, and applications multiply, the India Silver Conference positions itself as a must-visit annual forum to stay aligned with the future of silver.

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The 18^th edition of IIJS was so impactful that it is expected to generate ₹75,000 crore in orders over the next three months, reflecting strong domestic and international confidence in the Indian jewellery sector.

The inauguration ceremony took place at the Jio World Convention Centre, Mumbai, at 8^th January. The event was graced by Chief Guest Sandrine Conseiller, CEO, De Beers Brands and Chair, Natural Diamond Council, along with Guests of Honour Harsha Bangari, Managing Director, EXIM Bank, and Saumen Bhaumik, Managing Director, CaratLane. Senior leadership from GJEPC, including Kirit Bhansali, Chairman, Shaunak Parikh, Vice Chairman & Convener, National Exhibitions, and Sabyasachi Ray, Executive Director, joined by exhibitors, buyers, and key stakeholders from across the global gem and jewellery value chain.

This year, IIJS was so big that it was held across two premier venues- The Jio World Convention Centre (8-11 January) and Bombay Exhibition Centre (9-12 January). Spanning over 1.25 lakh square metres, the exhibition brings together more than 1,600 exhibitors across 3,300+ stalls and welcomes over 25,000 trade buyers from 800+ Indian cities. The international presence remains robust, with 1,400 overseas buyers from 40 countries and 12 international buyer delegations.

The show offers a comprehensive sourcing platform across gold, diamond, silver, and studded jewellery, loose natural diamonds, coloured gemstones, couture and fine jewellery, lab-grown diamonds, and machinery and allied segments.

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The significance of the IIJS was highlighted by Ms Sandrine Conseiller, CEO, De Beers, who said in the inauguration ceremony, “There is no better place to talk about the future of jewellery than India. From being the birthplace of the world’s diamond story to emerging as one of the fastest-growing markets today, India continues to be a pillar of stability and opportunity for the global gems and jewellery industry. Platforms like IIJS Signature play a critical role in strengthening trust, partnerships and confidence across the ecosystem, while reinforcing India’s position at the heart of the global jewellery trade,”

Further Mr Kirit Bhansali, Chairman of GJEPC, said, “As the year’s first major international showcase, IIJS Bharat – Signature embodies the Indian gem and jewellery industry’s confidence, resilience, and global readiness. India stands at the nexus of trust, transparency, and opportunity—with IIJS bringing this story to life.”

He further added, “In 2026, India steps boldly onto the world stage, assuming the Kimberley Process Chairmanship for the third time—a resounding vote of confidence in our leadership, credibility, and dedication to ethical trade. Poised to achieve the USD 100 billion export milestone by 2047, India’s gem and jewellery sector has outgrown dependence on traditional markets. It will drive growth through Free Trade Agreements, robust government support, strategic diversification, manufacturing and technology innovation, and retail expansion. These pillars—anchored in transparency and consumer trust—strengthen our global competitiveness and ensure sustainable, long-term growth,”

At the event, highlighting the importance of financial infrastructure, Harsha Bangari, Managing Director, EXIM Bank, noted, “Gems and jewellery is a traditional yet dynamic sector with a significant contribution to India’s exports and employment. Strengthening infrastructure, improving awareness about financial products, addressing technology and skill gaps, and easing trade bottlenecks are critical for clusters to realise their full export potential,”

Addressing the human capital aspect, Saumen Bhaumik, Managing Director, CaratLane, observed, “As our industry grows, every stakeholder has benefited, but continued investment in skills and craftsmanship will be key to sustaining this momentum. With the industry expected to grow significantly in the coming years, the availability of skilled hands will become critical. Making artisans a priority is not charity, it is business prudence. If we want to be global leaders, dignity, pride and security for craftsmanship must sit at the centre of our growth story.”

Reinforcing India’s commanding position, Shaunak Parikh, Vice Chairman, GJEPC, said, “IIJS Bharat – Signature 2026 represents India’s commanding position in the global gem and jewellery industry, spanning manufacturing excellence, design innovation, and a rapidly growing domestic market. As the first major international jewellery trade fair of the year, it is where the global industry turns to India for direction and opportunity. The scale of participation, growing international presence, and strong entry of new enterprises reflect the confidence of the trade—making IIJS Bharat – Signature the definitive platform where the global jewellery business year truly begins.”

IIJS this year featured pavilions which showcased GI-tagged traditions such as Thewa (gold on glass), Banarasi Meenakari, Cuttack’s silver filigree, and distinctive silver crafts from the Hupari cluster, offering visitors an immersive glimpse into India’s living craft legacy.

The exhibition also features Select CLUB, a curated luxury segment at JWCC with high-end couture and fine jewellery from 107 select companies, along with Innov8 Talks & Symposium knowledge forums addressing themes such as the future of natural diamonds, Free Trade Agreements, lab-grown diamond technology, ease of doing business, and the role of AI in jewellery by 2030.

With global buyers, policymakers, and industry leaders converging in Mumbai, IIJS Bharat – Signature 2026 stands poised to set the tone for the gem and jewellery industry in the year ahead—bringing together heritage, innovation, sustainability, and global business opportunity on a single, powerful platform.

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India’s gem and jewellery industry, like the rest of the world, is closely analyzing the evolving global economic landscape following this policy shift. While the GJEPC acknowledges the U.S. administration’s objective of addressing trade and tariff imbalances, it has urged the United States to preserve the spirit of its long-standing trade partnership with India. This relationship, built on mutual respect and shared economic interests, has played a pivotal role in global jewellery trade.

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GJEPC’s Official Response

In an official statement, the GJEPC emphasized the potential ramifications of the tariff:
“The Trump administration’s announcement of a 27% reciprocal tariff on Indian gem and jewellery exports to the US would be a significant burden on Indian exporters and American consumers alike. While the tariff’s application to competing nations presents both challenges and opportunities, it is likely to significantly impact India’s diamond and jewellery sector—a cornerstone of its exports to the US. In the long term, we foresee a reshaping of global supply chains. In the short run, we anticipate challenges in sustaining India’s current export volume of USD 10 billion to the US market. We urge the Government of India to progress the Bilateral Trade Agreement between India and the US, as it would be crucial in navigating the tariff issues and securing the long-term interest of the sector.”

The council further stated that it is actively engaging with stakeholders to mitigate risks and ensure a balanced approach that secures continued access to the lucrative US market.

GJEPC’s Role in the Industry

Established in 1966 by the Ministry of Commerce, Government of India, the Gem & Jewellery Export Promotion Council (GJEPC) has been instrumental in expanding India’s presence in the global jewellery market. Representing over 8,800 members across the industry, GJEPC has played a crucial role in promoting exports and supporting trade policies. With regional offices in major industry hubs like Mumbai, New Delhi, Kolkata, Chennai, Surat, and Jaipur, the council continues to drive initiatives that benefit India’s gem and jewellery sector.

With the new US tariffs threatening to disrupt trade dynamics, the GJEPC remains committed to advocating for policy solutions that safeguard India’s position as a leading global jewellery exporter.

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Disclaimer:
The information provided in this article is for informational purposes only and reflects the views of industry experts. Before making any investment decisions, it is recommended that you consult a financial advisor. The team at Gold Price Today does not engage in personal buying, selling, or trading of gold or silver on exchanges. We are not responsible for any gains or losses incurred based on the information presented here.

The price drop may lead to inventory losses on existing stock, but improved demand is expected to offset this, reducing the need for extensive marketing and promotional expenses. Operating profitability is projected to decline by 40-60 basis points, stabilising at 7.1-7.2%.

Lower gold prices will also ease working capital requirements, despite planned store expansions. The 58 retailers assessed by CRISIL account for about a third of the organised jewellery sector’s revenue, and their credit profiles are expected to remain stable.

Since February 2024, rising gold prices had dampened demand, with retailers relying on higher realisations to drive revenue. However, the 9% import duty cut in July 2024 (from 15% to 6%) led to a price drop of ₹4,500-₹5,000 per 10 grams, improving affordability. As a result, jewellery retailers may see a 3-5% rise in volumes, compared to the previously flat growth projections. Gold prices remain around 17% higher than last year’s average, and with the festive and wedding seasons approaching, sales are expected to increase in the second half of the fiscal year.

Himank Sharma, Director at CRISIL Ratings, commented, “The duty cuts to decadal lows have come at the right time for retailers as they prepare for the festive and wedding seasons. While there will be some inventory losses due to the price cuts, these will be mitigated by lower marketing and discount spending as demand picks up. Profitability will see a marginal decline to 7.1-7.2%.”

Gaurav Arora, Associate Director at CRISIL Ratings, noted, “Retailers will maintain strong financial metrics this year, with total outside liabilities to tangible net worth (TOL/TNW) and interest coverage ratios expected to remain around 1.0 and 9 times, respectively. These figures will be slightly better than our earlier projections, keeping credit profiles stable.”

However, sharp fluctuations in gold prices, regulatory changes, and shifting consumer sentiment will be key factors to monitor going forward.

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अंकुर आनंद, डायरेक्टर, हरसहायमल श्यामलाल ज्वेलर्स ‘हुआ यूं कि ट्रस्ट की तरफ से मुझे रात में फोन आया कि भगवान राम की मूर्ति बनी है और उनके आभूषण भी बनाने हैं। उनका नाप भी लेना था इसके लिए ट्रस्ट के तरफ से मुझे 1 जनवरी 2024 को बुलाया गया। उन लोगों ने मुझसे पूछा कि क्या आप ज्वेलरी बना पाएंगे क्योंकि समय बहुत कम था। 16 तारीख को भगवान की पूजा पाठ रखी गई थी और 17 तारीख को उनका गर्भगृह में प्रवेश रखा गया था। इसलिए सिर्फ 14 दिन का समय ही मेरे पास था जिसके अंदर मुझे भगवान के सभी आभूषण तैयार करने थे।

इसलिए करीब 1 घंटे बाद मैंने अपनी टीम से बातचीत करके मिश्रा जी को बताया कि मैं भगवान के आभूषण बना दूंगा। इसके बाद 2 जनवरी को मैं अयोध्या पहुँचा। और आप लोग मानोगे नहीं जब मैंने भगवान की मूर्ति को देखा तो मैं बस उन्हें देखता ही रह गया मेरे आंखों से आंसू बहने लगे। भगवान की मूर्ति देखकर ऐसा लग रहा था जिससे कि मानो साढ़े पांच साल का कोई बालक आपके सामने खड़ा हुआ है। जब मैं अयोध्या पहुंचा तो मुझे पहले से पता नहीं था कि भगवान की मूर्ति कैसी है। अखबारों में भी जो खबरें आ रही थी वह पूरे राम दरबार की आ रही थी।

77000 ज्वेलर्स, सुनार और कारीगरों के नेटवर्क से जुड़ने के लिए हमारा फेसबुक ग्रुप ज्वाइन करें

मुझे पहले बिल्कुल भी यह बात नहीं बताई गई थी कि भगवान की मूर्ति कैसी है जब मैं वहां गया तो मुझे मिश्रा जी मिले एवं राय साहब भी मिले। इस पर चंपत राय जी ने मुझे एक सलाह दी कि आप जब भी आभूषण बनाए तो इस बात का ध्यान रखें कि आप एक साढ़े पांच वर्षीय बालक के लिए आभूषण बना रहे हैं। आभूषण ऐसे ना हो जिससे कि भगवान की उम्र ढंक जाए और ऐसा लगने लगे कि आप बड़े आयु के भगवान की मूर्ति के लिए आभूषण बना रहे हैं। इस बात का खास ध्यान रखा जाए कि आभूषण एक बालक रूप के लिए तैयार किए गए हैं। मेरे लिए एक बहुत ही बड़ा चैलेंज था दूसरी बात उन्होंने मुझे यह कहीं की आपको इस बात का भी ध्यान रखना है कि भगवान राजसी परिवार के हैं और एक राजकुमार हैं इसलिए उनके गहने उतने ही भव्य होने चाहिए।

तो यह जो दोनों चीज मुझे राय साहब के द्वारा कही गई थी दोनों ही चीज काफी ज्यादा कंट्रास्ट में थी और मैं भी उसे समय काफी ज्यादा असमंजस में था। इसके बाद हम लोगों ने वहां पर एक मेजरिंग टेप से मेजरमेंट लिया हम लोग पूरी तरीके से तैयार नहीं थे क्योंकि हमें कुछ पता ही नहीं था की मूर्ति कैसी है।

पहले ऐसी बात हुई कि आभूषण चांदी के बनाए जाएंगे क्योंकि सोने की ज्वेलरी और उसमें हीरे जवाहरात लगाने में समय ज्यादा लग जाता है। सोने की ज्वेलरी में लगभग दो से ढाई महीने का समय लगता। इस बात पर मैंने कहा कि मैं आपको कल या परसों में बताता हूं कि इसे हम सोने में बना सकते हैं कि नहीं आप मुझे थोड़ा समय दीजिए। इसके साथ मुझे भगवान का धनुष और तीर बनाने का भी काम दिया जो की सोने से बने हुए हैं।

सभी जानकारी लेने के बाद 3 जनवरी को मैं अपनी जयपुर की फैक्ट्री गया और वहां पर मैंने अपने सभी कारीगरों से बात की और फिर सभी से से पूछा कि भगवान का काम है हो जाएगा क्या क्योंकि हमारे पास उस वक्त सिर्फ 13 दिन ही बाकी थे। कारीगरों में और हमारी पूरी टीम में जोश था। फिर सभी ने एक सहमति बनाई और फिर 3 तारीख को रात को 11:00 बजे मैंने चंपत राय जी से बात की और उनको कहा कि मैं भगवान का काम करने के लिए तैयार हूं। ज्वेलरी सोने में ही बनाने का तय हुआ।

इसके बाद 132 कारीगरों की टीम मैंने लगाई। दिन रात हम लोगों ने 5 जनवरी तक सबसे पहले डिजाइंस तैयार की और जैसे जैसे डिजाइंस तैयार होते जा रहे थे हम ट्रस्ट से अप्रूवल लेते जा रहे थे। उसी के आधार पर काम शुरू हुआ और 12-13 दिन में भगवान के सारे आभूषण सर्टिफिकेशन के साथ तैयार हुए क्योंकि उसमें सभी नेचुरल डायमंड लगे हुए हैं इसलिए उनका सर्टिफाई होना बहुत जरूरी था। जिसके लिए आइजीआई ने हमे सपोर्ट किया क्योंकि भगवान के आभूषणों में 18500 हीरे लगे थे, 3500 रूबी लगे थे और लगभग 700 पन्ने लगे हुए थे। इसलिए उनका सर्टिफिकेशन बहुत ज्यादा जरूरी था। करीब डेढ़ दिन में सर्टिफिकेशन प्रदान किया गया।

मैंने जो डायमंड का सेलेक्शन किया वह सबसे ज्यादा कठिन था। इन डायमंड को सोर्स करने में काफी ज्यादा मेहनत लगी है इसके लिए मुझे 2 दिन मुंबई में भी रहना पड़ा।  टेंशन था क्योंकि जेमस्टोन ऐसी चीज है जो कभी डिफाइन नहीं होती कि आप इसी साइज का बनाने वाले हैं तो यह सब मैंने दो-तीन दिन में काफी मेहनत करके सिलेक्ट किया।

पूरे आभूषण में भगवान के तिलक की विशेष कहानी है उसमें दिन के ठीक 12:00 बजे सूर्य की किरणें भगवान के तिलक से होते हुए मुकुट की तरफ जाएगी। सभी आभूषणों में सबसे भव्य जो चीज है वह भगवान का तिलक है। राम लला की ज्वेलरी में भगवान का एक छोटा हार, तिलक, कौस्तुभ मनी, कमरबंध, विजय माल, हाथों के कंगन, बाजूबंद, पैर के खड़ाऊ और पैर में एक जोड़ी पायल है। उनकी मुद्रिका यानी की अंगूठियां भी बनाई गई हैं।

मुकुट के बीच में मैं सूर्य भगवान लगाए हैं क्योंकि भगवान राम सूर्यवंशी हैं। इसलिए सूर्य में हमने माणिक का उपयोग किया है और उनके जो कान के कुंडल है उसमें हमने मयूर लगाए हैं सेंटर में एक बड़ा पन्ना लगाया है। इसी के हिसाब से मैंने बाकी रत्नों का इस्तेमाल किया है।

राम लला के आभूषण बनाने समय मुझे ऐसा लगा कि भगवान खुद मुझे ऐसे दिखा रहे थे और बता रहे थे कि वो कैसे दिखना चाहते हैं। मेरे मन में वह एक अपना पूरा रूप मुझे दिखा रहे थे। इस तरह मैं राम लला की पूरी ज्वेलरी बना पाया।

संयोग से 21-22 जनवरी दोनों दिन मैं अयोध्या में रहा। 21 तारीख को मैंने भगवान को तैयार भी किया पूरे आभूषणों के साथ। साथ ही 22 जनवरी के दिन को जो कि प्राण प्रतिष्ठा थी सेरेमनी थी उस दिन भी मैं अयोध्या में ही था। उस दिन में सबसे पीछे जाकर बैठ गया। मैं यह सोच रहा था कि जब भी भगवान को लोग पहली नजर में देखेंगे तो लोगों की जो पहला रिएक्शन आएगा उससे पता चल जाएगा की मेरी ज्वेलरी पसंद आई है या नहीं तो यह काफी ज्यादा इंटेंस पीरियड था मेरे लिए।

यह हमारे ऊपर भगवान का आशीर्वाद है उनकी ज्वेलरी बनाने का सौभाग्य हमें मिला। राम लला की ज्वेलरी को पूरी दुनिया ने पसंद किया इससे बड़ी बात और क्या हो सकती है। मेरे लिए बहुत प्रेशर था कि दुनिया में लोग मेरी बनाई हुई चीज को देखेंगे और हिंदू धर्म के लिए बहुत ही बड़ी बात है क्योंकि राम मंदिर का और भगवान राम लला हमारे हिंदू धर्म के लिए बहुत ही बड़ा आस्था का विषय है। हिंदू धर्म के सभी लोगों की भावनाएं इससे जुड़ी होती है।

अब पूरी दुनिया से लोग हमसे संपर्क कर रहे हैं। लोग मुझसे कह रहे थे कि हम आपसे मिलना चाहते हैं आपके चरण छूना चाहते हैं, आपसे हाथ मिलाना चाहते हैं तो यह जो एक एक्सपीरियंस था यह मेरे लिए बहुत ही इमोशनल करने वाला अनुभव था और रोमांचक अनुभव भी था और मै इसे भगवान का आशीर्वाद मानता हूं क्योंकि इस कार्य के बाद पूरी दुनिया से कई लोग ऐसे हैं जो मुझसे जुड़ना चाहते हैं, मेरे साथ काम करना चाहते हैं और मुझसे बात करना चाहते हैं। परिवार में मेरी माताजी पिछले 40 सालों से काम कर रही हैं। वह हमेशा से ही हमारी प्रेरणा स्रोत रही हैं। आज जो हमारी कंपनी है यह पूरा उनका ही विजन है। हमारी माता जी हमें सही दिशा में मार्गदर्शन देती रहती है और मेरे बड़े भैया भी मार्गदर्शन करते हैं।’ इस पूरे इंटरव्यू को आप यहां पर देख सकते हैं

लखीमपुर में ज्वेलर्स के बेटे को धोखेबाजी में सोने की 25 नकली मोहरे दे दी और उसके बदले में जेवर और नगदी लेकर कभी 10 लाख रुपए का चूना लगा कर चले गए। ठगी का अहसास होने के बाद ज्वेलर्स ने पुलिस के पास शिकायत दर्ज कराई है।

देश के 60 हजार ज्वेलर्स के फेसबुक ग्रुप ‘सुनार ज्वेलर्स एकता’ से जुड़े

जानकारी के अनुसार, मोहम्मदी रोड स्थित मुन्नू गंज के रहने वाले ज्वेलर्स नरेंद्र कुमार ने बताया कि उनकी मोहम्मदी रोड पर राधिका ज्वेलर्स के नाम से एक आभूषण की दुकान है। उनकी दुकान में पिछले 3 महीने से एक एक आंख वाली महिला और एक पुरुष आकर लेनदेन करते थे और खुद को राजस्थान का रहने वाला बताते थे और कहते थे कि वह भैंस का और दूध का कारोबार करते हैं। उन्होंने धीरे-धीरे ज्वेलर पर विश्वास जमा लिया। इसके झांसे में उनका बेटा आ गया।

20 जुलाई की शाम को ज्वेलर नरेंद्र कुमार दुकान पर नहीं थे। उनका बेटा दुकान पर बैठा हुआ था तभी दोनों आए। ज्वेलर नरेंद्र कुमार के बेटे को सोने की 25 मोहरे दी और 4.5 लाख रुपए के गहने और 5.5 लाख रुपए नकद लेकर चले गए।

ज्वेलर्स के बेटे ने भी भरोसे के चलते दोनों की दी हुई सोने की मोहरे बिना जांच किए हुए ही रख ली और उन्हें पैसे भी दे दिया लेकिन जब पिता ने आकर सोने की जांच की तो वह सोना नकली निकला। इसके बाद ज्वेलर के होश उड़ गए।

धोखाधड़ी का पता चलने पर ज्वेलर्स नरेंद्र कुमार ने कोतवाली पुलिस को सूचना दी। पुलिस ने ज्वेलर्स की शिकायत पर मामले में 419 420 और 406 के तहत मुकदमा दर्ज कर लिया है। इसके साथ ही सीसीटीवी फुटेज के आधार पर आरोपियों की तलाश भी शुरू कर दी है।

ALERT: अगर आप भी ज्वेलर्स हैं और भाव की खबरें अपने मोबाइल पर चाहते हैं तो शहर का नाम लिखकर हमें 8448469588 पर व्हाट्सएप करें।